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Showing content with the highest reputation since 08/20/2020 in Posts

  1. 2 points
    It was definitely interesting to see a two hour documentary about Lucy that had the 1950s end at the halfway point. Great clips! I imagine most the clips came from YouTube (it seemed like some of the I Love Lucy ones were HD). If this was 15 years ago, I bet all of it would be public domain stuff. It seems like once YouTube came along, they stopped policing these things. It was nice to see The Lucy Show praised so much. Here’s Lucy got the short shrift. I don’t think they mentioned the kids involvement at all. I also don’t think Gale’s name was mentioned, although he was seen in quite a few clips. They were pretty factual until the end when they said she died on April 25. 🤨 The overall theme seemed to be “Woman Power!” rather than then typical “Lucy & Desi love story,” although they did loop back to that at the end. Overall, this exceeded my original expectations. It was nice to see such time spent on the post-I Love Lucy years and in a generally positive way.
  2. 1 point
    I just added Reelz to my already exorbitant cable bill to get to be able to see this, along with the two Autopsy episodes about Lucy and Desi (which I have not watched yet). Overall, I think they did a credible job (one exception being the insert of a still photo of supposed young Lucille that was definitely NOT her!) and while i didn't really learn anything new, I certainly enjoyed the participation primarily of the Desilu author Tom Gilbert, Carol Burnett certainly (sweet to see her tear up upon sharing the I got her flowers the day she died story for the umpteenth time) and most of all, our own Carole Cook who at 95/96 (who knows when her interview was recorded), conveyed I feel the most heartfelt emotion, honest opinions and of course, a couple of witty asides to make the whole thing so riveting, even though we're by now so familiar with so many of these stories and events that I not only was very impressed and appreciative, it makes me wonder what else Amy Poehler, Ron Howard and company are going to be able to come up with in the next doc project in the works. Addendum: After watching both Lucy and Desi's separate "Autopsy" episodes, I was reminded that Lucy did indeed suffer a stroke in the last year or two of her life; however, this doc made no mention that I caught of this significant event. Odd. Should have been touched upon, IMHO. Minus half-a-star if I were rating this otherwise 3.5 out of 4 star production. 😇
  3. 1 point
    Good question. I think the first time the baby’s name was mentioned was in the flashback opening of The Audition rerun.
  4. 1 point
    A question for the experts: when does Little Ricky's name first officially come up? Today I realized that I don't remember a scene where they decide to name the baby after his father. I don't recall it happening in "Lucy Goes to The Hospital", maybe in one of the wraparound segments done for the flashback episodes?
  5. 1 point
    Cher... and Other Fantasies, Cher’s 1979 special that featured Lucy, is now available on DVD as part of a pricy Cher box set from Time Life. https://timelife.com/products/the-best-of-cher I’m very surprised the Cher episode with Cloris Leachman and Jack Albertson isn’t included. Both guest stars won Emmys for their work in it.
  6. 1 point
    This review gives me much higher hopes than the initial announcement! https://medium.com/@herbiejpilato/we-love-lucy-says-new-2-hour-tv-doc-on-reelz-and-they-mean-it-cb027bfd0868
  7. 1 point
    Quick interview on the census and more!
  8. 1 point
    Thanks for this. Your last paragraph sounds completely on the nose. Why not come up with your own characters instead of twisting and distorting the lives of real people to fit a fictional narrative? I think I’ll give this one a pass...or else wait for Lindsay Lohan to do the Lifetime Original Movie version.
  9. 1 point
    My review for The Queen of Tuesday. In this review I'm not going to review the storyline of the book, but rather the content. The author in his afterword says that he read many of the well known biographies on Lucille Ball to get an idea of who she was, but also admits to changing some facts and overall the Lucille portrayed in this book is his version. It certainly is because nowhere did I feel I was reading about the woman I've come to love for over 20 years. Lucille in this book is by 1950 a washed up actress who has not achieved fame or fortune in movies, her radio show has just been cancelled and she is now venturing into TV as one last shot to have a career. Lucy actually was doing very well in films by this point and making good money. She took a risk going into TV so her and Desi could be together more. The vaudeville act is a key plot point in the overall story of the affair with a man in NYC named Isidore. The act and subsequent I Love Lucy pilot are portrayed as failures. They weren't. The pilot sold the show and vaudeville sold them as a couple to the American people. Later in the 50s it has Lucille driving Desi out of the studio so she can take control, thus gaining back some of her self worth. In reality Lucy never had these ambitions and never wanted to run the studio. Lucy's marriage is a key point to the story and why she decides to have an affair. Even in the opening to the book in 1950 Desi's wandering eye and openness to cheat is portrayed. It continues to be a huge part of the rest of the book, and Desi makes no apologies for it, even throwing it back to Lucy why he does it. It makes Lucy despise Desi and do so for the next 10 years. It was rough in the late 50s but what this book never camptures about their marriage is how in love they were. They fought as hard as they made up. Desi's portrayal really pisses me off. Once the show gets big, he becomes an egotistical, demanding person because he is the top dog and wants everyone to cater to his ways. Many seem to fear him and he doesn't care (or even know half their names) because every show must be better than the last. In reality Desi was a wonderful boss, he knew all the employee's names( Lucy too), let the creative team do their work without interference, and when he thought something could be better he used his wonderful charm. The HUAC press conference at the ranch is used and again it's Desi being a jerk to Lucy, but sweet in front of the cameras. If you've ever read anything about that week, Desi was 100% on her side and fought for her. Then we have the problem of fact changing. The first being that the author knows Lucy was on Monday night but for some reason changes it to Tuesday. There is a long passage that uses Lucille's internal monologue about shooting the first episode, but the episode used is the first aired (not shot). Movie titles are thrown out to illustrate a point of Lucy being forgettable in films but uses films where she has some background bit part alongside a film like Lured where she was wonderful. I wonder if the author even watched any of her pre 1950 films. The author did change the date of Desi Jr's birth to fit the story and I'll say it was the first time I wanted to throw the book across the room for that reason. The overall story is a good one and there is a beautiful chapter with Lucille and Isidore that I enjoyed. What kills the story though is the author took real people, and their real life and career, changed so much about them and their world to fit the narrative. It would have been a much better book if he just made up a fictional husband and wife from the 1950s who had a #1 TV show, but a failing marriage behind the scenes. The reader would know you are talking about Lucy and Desi. What historical fiction in this case does is muddy the waters about Lucille Ball. I sincerely hope a reader doesn't pick up this book because they like I Love Lucy and think this is who Lucy and Desi really were and the events surrounding them happened the way portrayed. Two last thoughts. I was surprised Gary was mentioned. And Nanette Fabray???
  10. 1 point
    This is a fantastic interview with lots of Here’s Lucy stories!
  11. 1 point
    I assume this Reelz special will be a more low budget affair.
  12. 1 point
    Lucie is scheduled to participate in all star salute to Latino culture and achievement in theater on October 1.
  13. 1 point
    Continuing through my boxes of Lucy clippings, I came across all the Mame reviews I collected. Local papers were for the most part pretty positive; or at least positive-ISH. Seattle headline "Lucille Ball Isn't Mame" sub-headline: "But She is Funny!". Sub-sub "And Bea Arthur is even funnier". People today seem to delight quoting the most savage reviews. Milton Krims in Saturday Evening Post, a magazine with a still-large circulation, was thrilled with the movie and Lucy in particular. Having seen many Mames,(play and musical) he proclaims Lucy the best ever. His review, if ever mentioned, is dismissed as "a breathless paean".
  14. 1 point
    “Lucy, Legal Eagle” is the official title, according to the original script. https://www.historyforsale.com/lucille-lucy-ball-script-signed-circa-1986/dc226784
  15. 1 point
    I have something from years back I remember recording that also had Tina Fey on too. I can't recall what it was though.
  16. 1 point
    Wth those settings, Viv must really be a sight from behind in her knit suit!
  17. 1 point
    Auntie Mame was on TCM tonight and I'd only seen bits and pieces of it before (A Girl, a Guy, and a Gob was on earlier and it was my first time for that one as well!). I gotta say, I was pretty underwhelmed. There's so much hype around this movie, not just in comparison to 1974's production. AM undoubtably has much funnier one-liners and little bits of business, but I think Mame '74 (whether it was the choice of the stage musical or the movie) did some very wise streamlining to the story. IMO Gooch is much better as one character. When Gooch realizes that she's actually married, Patrick joyfully kisses her but it made me try and remember whether or not the two had even shared a scene together previously. AM also occasionally had clunky motivation. For example, when Roz Russell is being pounced on by her co-author, she has a very funny line about Gooch and her Dr. Pepper. Later on, the "Will it mix with Dr. Pepper?" exchange is just between Agnes and Mame, not including Vera like the musical had done. "He'll love it!" is hilarious coming from Bea Arthur, who is soused and probably doesn't know what Dr. Pepper is (I doubt Vera used mixers). It's not nearly as funny when Roz says it, because her Mame was already aware of Gooch's carbonated habits. I hope that doesn't sound too nitpicky, but it's one of the moments that threw me off. I found Russell to be just about the only cast member I preferred seeing over the '74 version. If they'd included all of those great zingers for Lucy, I have no doubt she would have done her own excellent spin on them rather than being in a constant haute movie star bent. Russell's Mame comes off as less assured than Lucy's, and even a little phony at times. Peggy Cass made me laugh sometimes and cringe others. Save for my chronically skipping over "What Do I Do Now?", I really like Jane Connell's performance. Almost everyone else in AM have already left my head. '74 certainly stacked the deck with wonderful character actors. Joyce Van Patten's Sally Cato is even more awesome now that I've seen her predecessor. Joanna Barnes did an okay job of playing Gloria Upson, but Doria Cook-Nelson (married to Craig T.!) was Gloria Upson. I've been in the country club pool with multiple Gloria Upsons, and Cook-Nelson hits the nail on the head. Although today, instead of "Scrumptious", they all say "Oh My GOOoooOOd!" and "Saaaame!", and the Bryn-Mawr affect is more Valley Girl upspeak. Morton DaCosta's staging is understandably, well, stagey. It was probably the best choice. It made me feel like '74 was much more cinematic than I'd thought it to be. Gene Saks' work wasn't ideal, but his version does have some terrific moments that you could only get in a movie. Maybe because Lucy's Mame was a musical, the heightened emotions make me buy into these characters more. I don't know. I thought 74's production design was better, as well. For all of my griping, I'd still call Auntie Mame a better movie than Mame, but not at all by the wide margin it's considered to be.
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